| Products in this article: | Raven One turntable |
While the Redpoint Model D is ultimately even more explosively dynamic, possibly more detailed, and its bottom end has greater “slam,” the Raven One delivers equally as much musical pleasure. Given that it’s a fraction of the price and hails from Europe, no less, I’d call the Raven One the best value I know of in high-end analog playback.
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Shortly before this deadline, Jeff Catalano asked if I’d like to try a trio of updates that are now standard with Raven One: new Stillpoints-designed feet, a new power supply/controller, and a new arm “board” (the $6500 price—up from $6000—reflects these changes). I tackled them separately to hear how each affected the sound, beginning with the feet.
I swapped them out while in the process of reviewing Music Matters’ release of Art Blakey’s A Night in Tunisia, figuring I’d hear some difference. And so I did. What I wasn’t prepared for was how dramatic the difference would be. What had sounded pretty wonderful before now exhibited significantly more air around the instruments, studio ambience, dynamic pop, tonal complexity, and simply more musicality with less noise. Very cool.
The latest power supply and speed control box is smaller and slightly simpler to operate than the original. And offering further evidence of designer Woschnick’s perfectionism, this box was originally an upgrade to the AC-3. As Catalano explained it, once Woschnick heard the improvement and insisted that the same technology also grace the Raven One. Although the difference may not be quite as dramatic as the feet are, the new power supply reduces noise to even lower levels, while improving dynamic nuance and headroom.
Finally, the new arm mount, rather than being machined from a solid-brass billet, is a combination of solid brass and stainless steel (a “doughnut” that decouples the arm from the brass platform). And while I may sound like the proverbial needle stuck in a groove, this new decoupled arm mount also brought easily heard audible improvements along the same lines described above. (Now anodized black, it also looks better than the old naked brass.)
In short, each of these seemingly small (but not) changes makes listening to LPs more involving and satisfying, and brings us that much closer to the music.
--Wayne Garcia
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TW Acustic Raven One turntable
Type: Belt-drive, unsuspended turntable
Speeds: 33.3 and 45 rpm
Dimensions: 17" x 5.25" x 13"
Weight: 52 lbs.
Price: $6500
High Water Sound
274 Water Street, 2F
New York, NY10038
(212) 608-8841
highwatersound [at] earthlink [dot] net
Tri-Planar Ultimate VII tonearm; Transfiguration Orpheus and Axia cartridges; Artemis Labs LA-1 linestage and PL-1 phonostage; Naim Superline phonostage; Kharma MP150 monoblock amplifiers; Kharma Mini Exquisite loudspeakers; Tara Labs Zero interconnect and digital cables, Omega speaker cables, The One power cords, and AD-10B Power Screen; Audience Adept Response Power Conditioner; Finite Elemente Spider equipment racks; Clearaudio Speed Strobe test LP; Feickert Universal protractor; AcousTech stylus force gauge
Comments
Withy only 1 US dealer, cannot trust availability of setup and especially servicing in the robotic "music" years to come. I have had to effectively trash TTs whose sole source (in US, yet) collapsed, as small businesses often do. This is a great product, sold by someone who seems professional and accomodating, that's too risky to purchase, especially outside NYC. Same for the one-man outfit making excellent audio who names all products for his daughter. Remember better-capitalized Audio Alchemy?
Does it come with arm or review was run with only one separate arm (the one listed in "associated equipment")?
As a current Raven owner I disagree with the "high risk purchase" argument.
TW Ravens are designed to be maintenance-free and last forever. While that may sound glib I had a Linn LP12 which operated "un-serviced" for the last 20 years (!!). (Although I might add the Linn should have the belt & springs etc discarded and replaced every few years)....The Ravens do not use rubber belts and do not require such wasteful maintenance - as the decks are non-suspended. The rubber washers and springs do not apply so what is there to service ???
In my case the whole point of the exercise was to acquire a low risk product which did not require maintenance and which was easy to assemble and replace cartridges on.
I feel I've achieved that.