SonicStudio Amarra Software (TAS 202)

Conversion Experience

 

During my sonic journey from doubter to convert, I kept asking myself, “Why does Amarra only make a difference with some setups and not with others?” My hypothesis is that a system must have adequate resolution and a sufficiently modern USB (or FireWire) interface for Amarra’s ministrations to be audible. While it might be considered an extreme position, Amarra serves as a crucible for a computer-based Mac system. If you can’t hear a difference with Amarra, your system isn’t good enough.

To give you an idea of just how revealing a well-set-up Amarra system can be, near the end of my review Locus Design sent me its latest Nucleus USB cable to replace the Polestar USB cable I had been using. Being something of a cable cynic, I was nonplussed to discover the Nucleus lowered background noise when I was listening through Amarra. When I tried the same A/B test using iTunes, I couldn’t hear any audible differences between the Nucleus and Polestar cables.

 

Amarra Is Swahili for Icing on the Cake, But First You Need a Cake

So should every audiophile with a Mac-based computer music system run right out and buy a copy of Amarra software?

Er, no. Unless your hardware is up to snuff, you will quickly discover that Amarra doesn’t seem to do anything to improve the sound of your system. First, you need components with sufficiently low noise and high resolution to make the differences between Amarra and iTunes audible. If you don’t already own one of the units on what currently is a pretty short list of Amarra-supported USB or FireWire DACs, put your money toward one of them instead of toward Amarra. Think of it like this: If you want to run an entry in a horse race, you need to buy the horse before you hire a jockey and trainer.

Once you have assembled hardware that lets you hear Amarra’s sonic ministrations making an audible difference, I am confident you will discover, as I did, that Amarra is an indispensible part of any state-of-the-art Mac-based computer-audio system. If you want to hear how good a Mac-based system can sound, you have to use Amarra. In the end, it’s that simple.

 

SPECS&PRICING

SonicStudios Amarra Software

Hardware Platform: Apple Macintosh OS 10.4, 10.5, 10.6 with iTunes
Price: Amarra $995, Amarra Mini $395

 

Sonic Studio LLC
330 Sir Francis Drake Blvd.
Suite A
San Anselmo, CA 94960-2552

(415) 480-4601
www.amarraaudio.com

 

Associated Equipment

Source Devices: EAD 8000 Pro CD/DVD player and transport, CEC TL-2 CD Transport, MacPro model 1.1 Intel Xeon 2.66 GHz computer with 14 GB of memory with OS 10.6.2, running iTunes 8.2 and Amarra 1.1 music playing software
DACS: Bel Canto DAC 3, April Music Stello DA-100, Perpetual Technologies PA-1, Weiss Minerva DAC, Empirical Audio Overdrive DAC, Empirical Audio Off-Ramp 3, Bel Canto 96/24 converter box
Preamps: Reference Line Preeminence One B passive controller
Amplifiers: Bel Canto S-300 stereo amplifier, Edge Electronics AV-6, Accuphase P-300 power amplifier, Modified Dyna St-70 amplifier, April Music Stello Ai 500
Speakers: Joseph Audio Pulsars, ATC SCM7s, Paradigm S1s, Aerial Acoustics 5Bs, Role Audio Kayaks, Earthquake Supernova mk IV 10 subwoofer
Cables and Accessories: Locus Design Polestar USB cable, Locus Design Nucleus USB cable, PS Audio Quintet, AudioQuest CV 4.2 speaker cable, AudioQuest Colorado interconnect, Empirical Audio Coax digital cable  

Comments

bherlihy -- Mon, 02/15/2010 - 15:15

thanks...i have been following amarra for a while, without purchasing, as i wasn't completely certain what it did. more specifically, i was confused what the software did and if it ran independent of its associated hardware. i now have a better understanding (not necessarily how, but what) Amarra does and to be honest, i think it is what i have been looking for being a Mac/Itunes/frustrated hi-rez user. while i am sure that Amarra does a lot else, i think that the Sonic Studio is doing itself a disservice in how they market the program. they should start with its ability to automate the source selection mode on the Apple Midi. I am sure they are reluctant to market this as $995 is a lot to pay for this service (and not the limit of the product's capability); but this is a huge frustration for Mac users. they should shout from the highest hills that they solved that problem. once that is clear, they can then build on the sonic merits of the program - but first market what is the key enabler for computer audiophiles

Steven Stone -- Fri, 04/02/2010 - 10:36

If you upgrade to i-Tunes 9.1 you will need to download a patch from Amarra's website to prevent crashing with the new i-Tunes.

Steven Stone
Contributor to The Absolute Sound, EnjoytheMusic.com, Vintage Guitar Magazine, and other fine publications

michael123 -- Sun, 04/04/2010 - 01:06

Steven

I read few days ago a blog about Computer Audio session held by Ayre in Montreal.
They stated that the minimum specs to get best sound is 8GB of RAM, SSD for the operating system (!) but not for the files..
http://blog.stereophile.com/ssi2010/computer_audio_ssi

Being computer professional specializing in performance, this sounds to me quite weird.
I use Transporter, looking at the SqueezeCenter even when it plays high-rez music, I have zero page faults with mere 2GB of RAM. I still consider it a lot..

OMas (not verified) -- Tue, 04/13/2010 - 14:04

Hi Michael,

Something to consider is that Amarra completely replaces the host computer's audio subsystem with a virtual machine specifically designed for optimal playback. That's why the DRAM recommendations are not what you'd expect when compared to an app like SqueezeCenter.

bdiament (not verified) -- Mon, 04/05/2010 - 10:53

"...These shortcomings include automatic downsampling of higher-bit-rate music files (often to 44.1kHz/16-bit) and iTunes’ inability to support, process, and transmit bit-perfect versions of higher resolution files above 96kHz/24-bit."

With regard to iTunes, whether it downsamples or upsamples is dependent on the setting in the Audio/MIDI Setup dialog. For example, if the dialog is set to 96k, then 44.1k files played in iTunes will be upsampled (using CoreAudio's SRC) to 96k. If the DAC can handle high res and Audio/MIDI Setup is set to the native rate of the file, there will be no sample rate conversion. I've never had a problem playing 24/176.4 or 24/192 files from iTunes at their native rates.

Applications like Amarra and a few others, do simplify the sample rate issue by automatically changing the setting in Audio/MIDI setup.

Best regards,
Barry
www.soundkeeperrecordings.com
www.barrydiamentaudio.com

jlg -- Tue, 09/14/2010 - 22:46

"According to its creators, Amarra bypasses all of iTunes audio processing and substitutes Amarra’s own proprietary audio algorithms in its place."

What, pray, do these proprietary algorithms do? And why will doing that improve my sound. Without clear answers to those questions I will never consider buying this program. The whole thing, with its improvements on the bare edge of audibility, sounds like N-Rays to me. Until SonicStudio tells me what's going on I will consider them to be snake-oil peddlers.

ToshikoMonomita -- Tue, 11/15/2011 - 02:10

Thank for review "Amarra". I search for this information. Amarra's interested software for control sound on itune. I might try it.

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