HiFiMAN HE-6 Planar Magnetic Headphones (Playback 37)

Stretching The Performance Envelope

Several months ago Playback reviewed HiFiMAN’s superb HE-5LE Planar Magnetic Headphone ($699), concluding that not only could its hold its own versus competitors roughly twice its price, but it could also in some respects surpass them. Obviously this meant the HE-5LE was a bargain, a product with performance so good you might think it would be pointless for HiFiMAN to try and improve upon its design. But happily for us, the folks at HiFiMAN aren’t ones to rest upon their laurels, which is why they’ve just introduced an even more impressive flagship, called the HE-6 ($1199).

HiFiMAN is a Chinese firm headed by Fang Bian, who is passionate about high-end headphone and headphone accessories. His company offers a growing range of performance-oriented full-size and in-ear headphones, a series of headphone amplifiers, several high-end personal digital music players that can handle high-res digital music files, and a range of specialty headphone accessories (e.g., high performance signal cables, adapters, etc.). In the U.S., HiFiMAN products are sold through a related distribution company called Head Direct (www.head-direct.com).

Readers will surely ask how the HE-6 is different from and/or better than the HE-5LE, and Fang Bian provides several answers. First, the HE-6 is an entirely hand-made product built with the utmost attention to detail. Second, the HE-6 features an incredibly light and thin diaphragm whose conductive surface are made of gold. The HE-6 also uses a very different magnet assembly than the HE-5LE, as I’ll explain below.

Very early-generation HE-6 prototypes sounded great, but were so inefficient that they required full-size audio amplifiers as would normally be used to power loudspeakers. Fang Bian and his team felt realized customer might not accept such a constraint, so the felt it necessary to improve the HE-6’s efficiency to a point where the headphone could be driven by conventional headphone amplifiers (albeit powerful ones). The achieve this objective, the HiFiMAN team has given the production version of the HE-6 what Fang Bian terms a “super efficient magnetic circuit.” Putting all these factors together we have a new flagship headphone that, while admittedly difficult to drive, offers even wider frequency response and lower distortion than the already excellent HE-5LE.

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About Orthodynamic Technology

The vast majority of full-size, high-end headphones on the market use traditional piston-type dynamic drivers, but the HiFiMAN HE-6 is different in that it is a so-called “orthodynamic” headphone that uses planar magnetic drivers, which are conceptually similar to the drivers used in Magnepan’s award-winning Magneplanar loudspeakers. In my earlier review of the HiFiMAN HE-5LE, which is also a planar magnetic design, I provided the following nutshell description of orthodynamic driver technology:

“In an orthodynamic driver, the diaphragm is a thin, light membrane whose entire surface is covered with a conductive coating whose ‘conductors’ are arranged in a specific pattern. The conductive driver membrane is in turn suspended near an array of magnets arranged so that, when an audio signal is fed to the driver, the entire diaphragm surface is alternately pulled toward or pushed away from the magnet array. In theory, the benefits of this approach are twofold. First, the diaphragm can be very light and responsive (lighter than the voice coil/diaphragm assembly of a traditional dynamic driver). Second, driving forces act over the entire working surface of the diaphragm, potentially offering more precise control with greater freedom from unintended resonance or vibration.”

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In my HE-5LE review I also pointed out two possible drawbacks to orthodynamic designs: namely, relatively high construction costs and low efficiency (or low sensitivity). Let me elaborate on both these points.

If you’ve ever have a chance to see an orthodynamic driver taken apart, you’ll find (as mentioned above) that the thin driver diaphragms feature fine-pitch conductive traces arranged in specific patterns; during assembly, the diaphragms must be very precisely aligned vis-à-vis the driver’s magnet arrays. Getting the alignment spot-on typically requires specialized assembly tooling plus extra quality control steps to ensure that tight tolerances are maintained. While precision tooling and extra assembly work add costs, you may find—as I have—that the sonic benefits of good orthodynamic designs more than outweigh whatever extra manufacturing costs may be entailed.

Comments

donunus -- Wed, 11/24/2010 - 02:28

Ive heard that the he6 goes well out of the speaker taps of power amps. I don't know exactly how that works but I saw it in another site. If thats the case, that is actually a big bonus for these cans for people that already own high resolution hifi equipment. No more expensive headphone amp purchase needed :)

Chris Martens -- Fri, 12/03/2010 - 15:59

Hi donunus,

The HE-6 uses a two-piece cable assembly where there is a "Y-cable" that connects to the headphone earpieces and that terminates (at the "Y-junction") in an XLR connector. From there, you can plug in a variety of amp cables to connect to whatever amplifier you use.

The HE-6 ships with two amp cables, one for use with traditional headphone amps, and the other for use with full-size integrated amplifiers or power amps.

The traditional headphone amp connector cable provides a 1/4-inch phone jack on one end and an XLR connector on the other (which, of course, clicks into the provided Y-cable).

Alternatively, the power amp cable provides two pairs of color coded banana jack connectors on one end and an XLR connector on the other. Thus, you simply plug the banana jack connectors into the speaker taps of your full-size amp, cautiously turn up the volume, and enjoy.

To see a photo of the HE-6's standard cable sets, check out page 2 of the posted review. The power amp cable is pictured on the lower left of the image frame.

Best,

Chris Martens

Chris Martens
Editor, Avguide.com/Playback/The Perfect Vision 

Marcel -- Fri, 12/03/2010 - 13:32

Chris, could you please elaborate on how the HE-6 would compare to a top-flight STAX electrostatic headphone?
Cheers, Marcel

agb -- Sat, 01/29/2011 - 17:30

Latest sampling among nature lovers is a reasonable preference for the Audeze. Many sense an unnatural sibilance or electronic edge in the top and a somewhat hyped reality to the pushed details of the HE-6 - a bit of tuning needs to be done here me thinks, certainly not like the CLSes which I had owned. I don't have any answers, but I prefer what I hear live, a more relaxed, spacious and natural reproduction. There are good reasons though for preferring a somewhat technicolorized reality. Hearing loss and a correction for it?

http://www.headfonia.com/audeze-lcd-2-trio/

They're both great headphones, probably the best at the current level of the art, but my LCD-2 is on it's way. It is, me thinks, the more refined and better built of the two. I ordered it this week. People should give a careful listen to both. I plan to run my LCD-2 from the Wyred4Sound DAC2's preamp out - direct. Direct is more, well, explicit...and anyhow, may be too much for the HE-6's already more aggressive presentation.

Will report back on what is possible or not and on my impressions. Thanks to both Steven Stone and Chris Martens for the reviews of these now becoming-dominant technologies.

agb -- Sun, 02/27/2011 - 23:23

The Wyred4Sound DAC is certainly NOT explicit with the AUDEZE after having warmed up a couple of hundred hours. It is very relaxed, almost tubey sounding, but not warm at all. There is absolutely no grain, edge, fuzz or the etching one may hear with other DACs.

The AUDEZE cans can sound warm compared with others, but not always. It is not warm compared with live music in a good room. Others can be bright next to the real thing. The AUDEZE is full sounding. Full of details, harmony and musical textures.

The top of the sytem as a whole is extended enough, not etched, hyped or bright, very natural and overall the sound should be described as liquid, round and "pure."

The bass is such that it can leave skid marks. Stupendous and earth shaking. I've heard nothing like it from cans before.

The huge benefit of this system is the direct drive to earphones out of the DAC - and a good electrical match with the AUDEZE. With the W4S having a 32 bit volume pot and preamp functions, balance and other features can be accessed from the menu, filter slopes and such, we have full control. From what I understand, the DAC has a very linear class-A FET output stage, highly evolved in its design using lots of regulation, 4 SABRE DAC chips in parallel for balanced output achieving a huge dynamic range. I am awaiting the balanced cable that needed to be custom made for the male XLR outputs on the DAC - this should make another improvement, not as if I'm missing anything.

With this arrangement no additional headphone amp is required - making the W4S DAC-2 a genuine bargain at this price, this DAC is, as is, technically competitive with others costing four to six times as much. It is said that no wire with gain is better than any wire with gain. True. No additional interconnects are needed either. The only interconnect is between the iMAC and the DAC, a one meter NORDOST Blue Haven USB, reportedly the best as of this date. We'll see. At this point in time the system has the best sound I've had here by a reasonable margin. Quite stunning. Steve Stone hit a home run in his review of the W4S DAC-2, and it, in combination with the AUDEZE cans, hit the proverbial sonic ball out of the park.

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