
You know a headphone is expensive when it has a serial number. Audio-Technica’s ATH-W3000ANV headphone review sample was #1505 (the MSRP for the headphone is $1,299.95, though street pricing may be considerably lower). As befits a 50th anniversary model, these headphones came in a deluxe leatherette finished box with a slipcase and a handwritten note from Audio-Technica’s founder, Kazuo Matsushita. Audio-Technica even included a small velveteen bag to hold the headphone cable, but none for the headphones themselves (I guess A-T figures the ATH-W3000ANVs will spend most of their time on your head.) While I was impressed by Audio-Technica’s attention to detail, I was disappointed with the re-use possibilities of A-T’s packaging—nothing to do but put it in the attic with the other fancy audio component boxes. I think most people would have preferred a nice wooden box like the one that comes with the Audeze LCD-2 and LCD-3 planar magnetic headphones that could be repurposed and reused.
Considering their size, the Audio-Technica ATH-W3000ANV headphones are remarkably light. Every time I picked them up I marveled at how little effort it required. The ear cups, which are made from traditional Japanese Echizen lacquer-finished Hokkaido Asada cherry heartwood, are partially responsible for the ATH-W3000ANV’s lack of weight. The wood ear cup can be thin because of the wood’s intrinsic strength and the shape of the ear cup itself. When I tapped one with my finger I heard the same midrange “tonk” sound I’ve heard when tapping the side of a premium solid wood acoustic guitar, except with the ATH-W3000ANV the “tonk” had no ringing because it’s better damped than a guitar. Any sympathetic resonances that are generated by the ATH-W3000ANV’s ear cups will be from wood, not plastic or metal. Do wooden-bodied headphones have a more natural and organic sound than those that use other materials? Audio-Technica obviously thinks so, and after spending time with these ATH-W3000ANVs, I believe they have a point.
Drivers
• The ATH-W3000ANV uses a newly designed 53 mm wide-range driver element.
• The ATH-W3000ANV employs special high-power driver magnets.
• OFC 7N ultra-high-purity oxygen-free-copper used in the voice coils.
• The ATH-W3000ANV has isolated left/right internal wiring.
Frame/Headband
• The ATH-W3000ANV frame is constructed from magnesium for exceptionally low weight and high rigidity.
• Lightweight frame designed to suppress unwanted vibration.
• The headband design uses Audio-Technica’s signature 3D wing support system for a great fit and long wearing comfort.

Ear Cups and Ear Pads
• The ATH-W3000ANV uses traditional Echizen lacquer-finished Hokkaido Asada cherry heartwood housing, which is said to afford, “magnificent natural playback.”
• The ear cushions are hand fabricated from luxurious Spanish lambskin for “long-listening comfort.”
Signal Cable and Connector Plug
• Signal cable with PC-OCC (pure crystal, Ohno continuous casting) conductors and a highly elastic Elastomer sheath.
• 6.3 mm gold-plated stereo plug.
Accessories
• A fabric, draw string-equipped cable bag
Exclusivity
• There will be only 2000 units made worldwide.
• Like all 2012 Audio-Technica Limited Edition products, the ATH-W3000ANV features a 50th Anniversary logo and commemorative certificate signed by company president, Kazuo Matsushita.
Ergonomic High Points and Low Points
When I first tried to put the Audio-Technica ATH-W3000ANV headphones on they didn’t fit. In fact, the top halves of the ear cups didn’t even make contact with my head. Instead the ear cups angled away, only making a tight contact at the bottom edges. I could push the headphones onto my ears until they made a good seal, but the second I relaxed the pressure they reverted to their original unusable position. I took the headphones off and carefully examined the design.
The Audio-Technica ATH-W3000ANV headband is unique among over-ear headphones I’ve seen. Unlike most headphones, which have some provisions for headband adjustment and rotation on more than one axis, the Audio Technica ATH-W3000ANV headphones have a far more limited range of motion. They only rotate horizontally and instead of an adjustment scheme they have a pair of hinged pads that rest lightly on either side of the top of your head. Two magnesium rods formed into a wide-C shape make up the entire A-T headband. I don’t believe that Audio-Technica designed the rods to be adjustable.
Comments
A $1300 headphones vs. $1300 speakers, is anyone out there seeing the absurdity of the comparison? I, for one, am gratefull for this development, having followed "THE ABSOLUTE SOUND" from the issue #8 and saved the copies... Re-read some of the articles by John Nork and "The Harry" and others, teenagers in this domain then, made me feel nostalgic and resolute at the same time. I brought the whole load of the 150 issues to the local dump without advertising on the Craig's List or the Audiogon. Did not want to inflict this kind of evil nostalgia on anyone else. But, I still retain my 3000 LPs, some of which will never be available on Itunes, Oh, I also e-mailed Mikey Fremer about my friend's collection of a rather rare collection of various musicals and operatic recordings - but no - he did not know anybody that would be interested, unless it was Patty Barber, that would have been great..... Give me a break, will you????
"I adore the guitar solos that begin at the 00:55 point of “The End” where Harrison and Clapton trade 4ths. "
don't think so. In other places it is documented that it is Harrison, Lennon, and McCartney trading off.
http://en.wikipedia.org/wiki/Abbey_Road
and in fact if you listen it sounds like them, and not like Clapton
http://www.gearslutz.com/board/so-much-gear-so-little-time/637780-eric-c...
some of many examples
I read that too, but my ears tell me different. There are two licks that are, to my ears, definitely Clapton licks. They are different than all the others. If you've ever sat through the whole Plastic Ono Band album, "Live Peace" or heard Clapton on tour with Delany and Bonnie you can hear VERY similar licks. His finger vibrato was and is unique.
Steven Stone
Contributor to The Absolute Sound, EnjoytheMusic.com, Vintage Guitar Magazine, and other fine publications
To clarify - MOST of the licks are the Beatles. But two licks are so different and SO Claptonlike that I have a tough time believing they were played by one of the Fab Four. Also, I wonder if many Beatles fans have heard the Apple USB card 24-bit FLAC re-mastered version...
Steven Stone
Contributor to The Absolute Sound, EnjoytheMusic.com, Vintage Guitar Magazine, and other fine publications
Well at least we agree on the fact that the 24/44.1 release of Abbey Road sounds better than the CD remaster. I can pick the 24bit versions of the albums out "blind" from the CDs. Whenever I mention this to doubters, they don't believe me.
Although some claim to have tested the two releases and claim that the USB release set is 0.1db louder (i.e., not exactly the same remaster) and that that accounts for the perceived better SQ.
What I notice on the FLAC 24-bit files is a lack of noise. It's easier to listen back into the mix.
Steven Stone
Contributor to The Absolute Sound, EnjoytheMusic.com, Vintage Guitar Magazine, and other fine publications