A big part of the ALO’s appeal involves its delicacy and finesse, qualities that came into play in major way when listening to Gordon Getty’s Overture “Plump Jack” Ancestor Suite as performed by Sir Neville Marriner and the Academy of St. Martin in the Fields [PentaTone SACD]. Though only a little over twelve minutes long, the “Plump Jack” Overture presents a thoroughgoing orchestral workout for any headphone or headphone amp. For this particular listening session, I used Shure’s new flagship SRH1840 headphone, a headphone that, while not particularly difficult to drive, is extremely revealing both of recordings and of headphone electronics (honestly, these Shure ‘phones could serve as the “poster child” for the benefits of extreme openness and transparency). I reveled in the way the ALO/Shure pair captured the pure, distinct timbres and sonic signatures of each orchestral section and of individual instruments within the section. In particular, the Shure’s perfectly captured the elusive, melancholy sound of the French horns, and the uniquely luminous, liquid tonality of the harp. On this track and with this amp and the Shure’s working together, you have the sense of living within a sonic cornucopia—experiencing a literal horn of plenty as you move from one moment of sonic richness to the next.
If there’s any catch, and there is one, it would be that Shure’s SRH1840 headphones tend to sound overly lightly balanced from about the middle of the mid-bass region on down (the SRH1840’s can go quite low, but not with as much authority as you might want). Happily, though, the ALO supplies an answer in the form of its distinctive Bass Boost control. On Getty’s “Plump Jack” Overture, I found it was child’s play to dial in some much-needed low-end reinforcement, yet without making the sound muddy or overwrought. I simply turned up the boost control until I found a point where the Shure’s began to exhibit appropriate weight and depth on low strings and, and stopped when I felt the sound had reached a “sweet spot” in terms of overall balance. Happily, the boost control is designed for subtlety, not for excess, so that it is pretty hard to get the settings wrong. Better still, the control lets you add bass reinforcement as needed, yet without undercutting the inherent clarity or lucidity of the ALO amp’s sound. Once again, the ALO gives you sonic gain without pain.
Consider this portable headphone amp if:
• You want an accomplished portable amplifier that is equally at home on the go or in your listening room and that can successfully drive just about any earphone or (non-electrostatic) headphone ever made.
• You like the idea of a truly subtle, variable bass boost control that can add just a touch of low frequency reinforcement for those earphones or headphones that need a bit more low-end weight and punch.
• You want an amp that will pair beautifully with Cypher Labs’ way cool AlgoRhythm Solo high-performance portable DAC. There is close collaboration between ALO Audio and Cypher Labs, as a result of which the Rx MK3-B and AlgoRhythm Solo feature identically sized and shaped chassis. Together, they make what is perhaps the ultimate portable playback system.
Look further if:
• You want to push the edges of the headphone sound-quality envelope, as only a true top-tier desktop amplifier will allow. But recognize that stepping up from Rx MK3-B to something audibly better will cost you portability plus a pile of greenbacks.
Ratings (relative to comparably priced portable headphone amps):
• Design and Features: 9.5
• Tonal Balance: 10
• Timbral Purity: 9.5
• Detail & Resolution: 9.5
• Imaging/Soundstaging: 9.5
• Dynamics: 10
• Value: 9.5 - 10
As earphones and headphones become more and more specialized, the performance envelopes demanded of headphone amplifiers becomes broader and more daunting by the minute. Impressively, the ALO Audio Rx MK3-B not only meets the demands of an exceptionally wide range of earphones and headphones, but also does so in portable format, with beautiful build quality, and at a fair price for what you get. Sound quality is on par with today’s better desktop amps and better than that of many we have heard.
If you could only choose one headphone amp to meet all your listening needs, this one belongs at or near the top your short list. It’s one of the two best portable headphone amplifiers now being produced.
ALO Audio Rx MK3-B Fully Balanced Portable Headphone Amp
Type: Compact, battery powered headphone amplifier with fully balanced circuitry from input to output.
Accessories: As noted under “FEATURES”, above.
Inputs: Two switch selectable stereo analog inputs (one single-ended input via 3.5mm min-jack, one fully balanced input via miniature, square 4-pin connector).
Outputs: Two headphone outputs (one single-ended output via 3.5mm mini-jack, one fully balanced output via miniature, square 4-pin connector).
Other controls: single three-position master gain switches with settings for “Low”, “Medium”, and “High” gain; combination on/off switch and volume control, bass boost control that incorporates a built-in “defeat” switch.
Frequency response: 5Hz – 80 kHz, ± 1dB
Power output, balanced mode:
• 640mW into 32 Ohms
• 630 mW into 50 Ohms
• 150 mW into 300 Ohms
• 80 mW into 600 Ohms
Power output, unbalanced (single-ended) mode:
• 320 mW into 32 Ohms
• 220 mW into 50 Ohms
• 40 mW into 300 Ohms
• 20 mW into 600 Ohms
Gain setting options:
• High Gain: 12dB
• Medium Gain: 3dB
• Low Gain: -3dB
Bass Boost Control Range (with maximum boost applied):
• <0.5 dB at frequencies above 360 Hz
• 0.5 dB @ 360 Hz
• 1 dB @ 260 Hz
• 2 dB @ 160 Hz
• 3 dB @ 80 Hz
• 3.5 dB at frequencies below 40 Hz
Battery: 4400mAh Lithium-Polymer
• Play time: 10 hours, balanced mode
• Play time: 14 hours, unbalanced (single-ended) mode
• Recharge time: 3 hours
Dimensions (H x W x D): 0.75” x 2.87” x 5.16” (includes dimensions of control switches, etc.)
Weight: Not specified.
Warranty: 30-day Money Back Guarantee
Price: $649
Comments
``I found the Rx MK3-B was absolutely quiet enough to use with high-sensitivity in-ear monitors...... the ALO produced no discernible hiss or hum when used with either my Westone Elite Series ES5 custom-fit in-ear monitors or my Ultimate Ears Personal Reference Monitor``.
The MK3 is great with full size headphones, but with in ear monitors like ( JH5 PRO, JH11 PRO, JH13 PRO, UE Triple.fi) for example I have some complains. For me there is a great ammount of channel imbalance at low volumes, and the sound kind of warbles in and out with some soft static when turning the volume knob slowly between the lowest volume and a normal listening level =/ I did not have this problem with my RX MK1... I bought the MK3 to use it with my customs IEM and I was disappointed because of that. I bought a balanced cable to use with my customs and it gaved me more room with the volume nob, but still not how I wanted, so I sold my MK3-B and I`m thinking of buying the Alo MK2 or RSA The Shadow. I hope Alo Audio improve it for the next model. The guys from Alo were very nice and offered me to make an adjustment, lowering the gain settings and making my IEM experience improve measurably, but I`m not with the amp anymore and it would cost a lot of money to send it to the USA and pay customs to get it back here in Brazil.
Hi rodrigopitamd,
So far as I am aware, you may have encountered a problem that (I'm told) arose with a handful of early production Rx MK3-Bs, and that has since been resolved by the very gain adjustment you mentioned. Once that adjustment has been made (and my understanding is that it is now a standard feature of production Rx MK3-Bs), the unit should be very quiet when used in balanced or single-ended mode, and with IEMs, 'phones of average sensitivity, or hard-to-drive 'phones.
'Sorry to hear you had difficulty with your sample of the Rx MK3-B, but it does sound like you have access to some very good alternatives. Note: If you want a balanced amp that is, arguably, a bit quieter than the ALO, do consider RSA's SR-71B The Blackbird.
Best, Chris Martens
Chris Martens
Editor, Avguide.com/Playback/The Perfect Vision