| |
Film Title |
Year |
Director(s) |
Studio |
TPV Review |
Category |
Capsule
Description |

|
8
1/2 |
1963 |
Federico Fellini |
Criterion |
PS, Issue 42 |
DRAMA |
Comic compassion infuses every framea
stone masterpiece about a film director suffering a creative block. |

|
Ali |
2001 |
Michael Mann |
Columbia |
JV, Issue 43 |
DRAMA |
Will Smith as Muhammad Ali in the best big-budget biopic in a
decade or more. |

|
Amadeus:
Director's Cut |
1984 |
Milos Forman |
Warner |
JV, Issue 45 |
DRAMA |
A deft, amusing serio-comedy about the deadly
rivalry between Mozart and Salieri. |

|
The
Anniversary Party 2001 |
2001 |
Alan Cumming |
New Line |
WG, Issue 42 |
DRAMA |
Sad, candid movie about an ill-fated Jennifer Jason Leigh Anniversary
gathering among less-than-luminary Hollywood types. |

|
A
nous la liberté |
1931 |
René Clair |
Criterion |
JV, Issue 45 |
MUS/COM |
A boffo left-leaning musical satire that equates
life in the modern world with life in prison. |

|
Audition |
1999 |
Takashi Miike |
Chimera |
RSB, Issue 44 |
HORROR |
Gruesome but hypnotic horror film about a Japanese widower searching
for a new wife. |

|
Auntie
Mame |
1958 |
Morton DaCosta |
Warner |
|
COMEDY |
Reviewed in this issue. |

|
Bagdad
Café |
1987 |
Percy Adlon |
MGM |
HP, Issue 44 |
COMEDY |
Desert-stop romance with wonderful characters and vivid visual
textures. |

|
Ballad
of a Soldier |
1959 |
Grigori Chukhrai |
Criterion |
JV, Issue 44 |
DRAMA/WAR |
Deeply affecting Russian war filma masterwork. |

|
Beau-père |
1981 |
Bertrand Blier |
Fox Lorber |
ML, Issue 45 |
DRAMA |
A genuinely unconventional movie about incestat once tender,
odd, painful, unsettling, and triste. |

|
*A
Beautiful Mind |
2001 |
Ron Howard |
Universal |
FK, Issue 44 |
DRAMA |
Liberty-taking biopic about schizophrenic Nobel
Prize-winning mathematician John Nash. Great performance from Crowe. |

|
The
Big Knife |
1955 |
Robert Aldrich |
MGM |
Review to come |
DRAMA |
Famously tough Clifford Odets' melodrama about an actor whose
life is coming apart at the seamsflamboyant performances from Jack Palance
and Rod Steiger. |

|
Big
Wednesday |
1978 |
John Milius |
Warner |
SB, Issue 45 |
DRAMA |
John Milius' best film turns the California
surfing life into a metaphor for the turmoil of the 60s. |

|
* Black
Hawk Down |
2001 |
Ridley Scott |
Columbia |
JV, Issue 45 |
DRAMA/WAR |
Superb war film about the catastrophic Tristar "Mogadishu
incident," with a revisionist moral that couldn't be more timely or unsettling. |

|
Blue
Velvet - Special Edition |
1986 |
David Lynch |
MGM |
JV, Issue 37 |
NOIR/DRAMA |
Improved transfer of Lynch's unforgettable
surrealist allegory about a young man coming to grips with evil. |

|
Bob
Hope: The Tribute Collection |
1940 |
Mitchell Leisen, et al. |
Universal |
Review to come |
COMEDY |
In movies, Bob Hope remains a figure to reckon with and this
Tribute Collection contains many of his best films, including the Road pictures
with Crosby and Lamour. |

|
Bob le Flambeur |
1956 |
Jean-Pierre Melville |
Criterion |
FK, Issue 43 |
NOIR |
Witty, hard-boiled film noir about a French
gambler. |

|
Casualties of War |
1989 |
Brian De Palma |
Columbia |
SV, Issue 40 |
DRAMA/WAR |
A profoundly upsetting and terrifying exploration of morality
and group dynamics in wartime. |

|
Children
of Paradise |
1945 |
Marcel Carné |
Criterion |
GG, Issue 42 |
DRAMA |
An epic story of 19th century French theater
life with the sweep and bittersweet sting of L'Education sentimenaleoften
voted one of the ten best films. |

|
Chunking
Express |
1994 |
Wong Kar-wai |
Miramax |
FK, Issue 44 |
DRAMA |
Hong Kong action flick that combines energy of early Godard with
the charm of middle Truffaut. |

|
* The
Civil War |
1990 |
Ken Burns |
PBS |
HV CC, Issue 45 |
DOCUMENTARY |
Arguably the best documentary ever aired by
PBSriveting American history. |

|
CQ |
2002 |
Roman Coppola |
MGM |
Reviewed in this issue |
COMEDY |
|

|
The
Curse of the Jade Scorpion |
2001 |
Woody Allen |
DreamWorks |
FK, Issue 42 |
COMEDY |
A light romantic comedy that might have been
the premise for one of Allen's lesser New Yorker stories. |

|
The
Devil's Backbone |
2001 |
Guillermo del Toro |
Col/Tristar |
Review to come |
HORROR |
A thoughtful ghost story that suggests that the real "ghosts"
are human beings who have become fixated on the past. |

|
Dick
Tracy |
1990 |
Warren Beatty |
Touchstone |
RSB, Issue 43 |
MUS/COM |
A phantasmagorical live-action comic strip,
with fabulous make-up and sets. |

|
Dogtown
and Z-Boys |
2001 |
Stacey Peralta |
Columbia |
SV, Issue 45 |
DOCUMENTARY |
Ravishing documentary about the L.A. boys who perfected the sport
of skateboarding. |

|
Donnie
Darko |
2001 |
Richard Kelly |
Fox |
FK, Issue 43 |
FANTASY |
This portrait of high-school geekiness, alienation,
and revenge is as fresh and darkly comical as anything of its kind since Heathers. |

|
Don't
Look Now |
1973 |
Nicolas Roeg |
Paramount |
Reviewed in this issue. |
HORROR |
|

|
Down
By Law |
1986 |
Jim Jarmusch |
Criterion |
Reviewed in this issue. |
COMEDY |
|

|
Down
From The Mountain |
2000 |
D.A. Pennebaker, et al. |
Artisan |
WG, Issue 42 |
DOCUMENTARY |
A concert of music from the movie O Brother, Where Art Thou? |

|
Enigma |
2001 |
Michael Apted |
Universal |
Reviewed in this issue. |
DRAMA/WAR |
|

|
E.T.,
the Extra-Terrestrial |
1982 |
Steven Spielberg |
Universal |
Reviewed in this issue. |
SCI-FI/DRAMA |
|

|
The
Favor |
1991 |
Donald Petrie |
MGM |
ML, Issue 43 |
COMEDY |
A farce that neatly and amusingly dramatizes
the notion that sexual activity is mostly mental. |

|
Flirting |
1991 |
John Duigan |
MGM |
Reviewed in this issue. |
COMEDY |
|

|
From
Hell |
2001 |
The Hughes Brothers |
Fox |
WG, Issue 44 |
HORROR |
The Jack the Ripper killings as a conspiracy
to save the English monarchy. |

|
Get
Out Your Handkerchiefs |
1978 |
Bertrand Blier |
Anchor Bay |
RSB, Issue 42 |
COMEDY |
A man "gives away" his wife in a comedy that shocks
and evokes laughter in more or less equal proportion. |

|
* Ghost
World |
2001 |
Terry Zwigoff |
MGM |
JV, Issue 42 |
COMEDY |
A misfit-teen coming-of-age comedysharply
observed and very funny for its first hour. |

|
The
Gleaners and I |
2000 |
Agnès Varda |
Zeitgeist |
Review to come |
DOCUMENTARY |
Great Varda documentary about loss. |

|
The
Great Race |
1965 |
Blake Edwards |
Warner |
HP, Issue 44 |
COMEDY |
Whenever Jack Lemmon, as Professor Fate, and
Peter Falk, as his ditzy accomplice Max, are onscreen, the movie is exhilaratingly
alive. |

|
Gregory's
Girl |
1981 |
Bill Forsyth |
MGM |
ML, Issue 42 |
COMEDY |
A tale of gawky adolescent romantic awakening. |

|
Gremlins
2 |
1990 |
Joe Dante |
Warner |
Reviewed in this issue. |
COMEDY |
|

|
A
Hard Day's Night |
1964 |
Richard Lester |
Miramax |
Reviewed in this issue. |
MUS/COM |
|

|
Hearts
& Minds |
1974 |
Peter Davis |
Criterion |
FK, Issue 44 |
DOCUMENTARY |
As an artifact of history, a record of a dreadful
time, this Vietnam War documentary remains a powerful film. |
 |
The
Horse's Mouth |
1958 |
Ronald Neame |
Criterion |
HP, Issue 44 |
COMEDY |
An outrageously sociopathic painter is obsessed by visions that
he can only imperfectly render into reality. |
 |
Husbands
and Wives |
1992 |
Woody Allen |
Columbia |
FK, Issue 43 |
DRAMA |
Domestic Drama that rivets from the first scene. |
 |
The
Hustler |
1961 |
Robert Rossen |
Fox |
MS, Issue 44 |
DRAMA |
Paul Newman creates a portrait of the artist as a pool player
in Robert Rossen's masterpiece. |
 |
* Insomnia |
2002 |
Christopher Nolan |
Warner |
Reviewed in this isuue. |
THRILLER |
|
 |
In
the Bedroom |
2001 |
Todd Field |
Miramax |
SZ, Issue 45 |
DRAMA |
In his directorial debut, Todd Field has managed to capture the
shape and color of grief. |
 |
In
the Heat of the Night |
1967 |
Norman Jewison |
MGM |
DM, Issue 42 |
MYST/DRAMA |
A murder mystery set in 60s Mississippi that
deftly balances social issues with suspense. |
 |
In
the Mood for Love |
2001 |
Kar-Wai Wong |
Criterion |
FK, Issue 42 |
DRAMA |
Slow, languorous, painfully romantic film about two repressed
lovers in 60s Hong Kong. |
 |
Jackie
Brown |
1997 |
Quentin Tarantino |
Miramax |
JV, Issue 45 |
THRILLER |
First-rate comic thriller about a black airline
stewardess who outwits a gangster and an ATF agent, with help from a romantic
bailbondsman. |
 |
Joy
Ride |
2001 |
John Dahl |
Fox |
Reviewed in this issue. |
THRILLER |
|
 |
Juliet
of the Spirits |
1965 |
Federico Fellini |
Criterion |
HP, Issue 43 |
DRAMA |
One of the ten best uses of color in film. |
 |
Kansas
City Confidential |
1952 |
Phil Karlson |
Image |
RSB, Issue 44 |
NOIR |
A war veteran/ex-con gets framed for a heist in this hard-boiled
noir. |
 |
Kind
Hearts and Coronets |
1949 |
Robert Hamer |
Studio Canal |
Reviewed in this issue. |
COMEDY |
|
 |
Kissing
Jessica Stein |
2001 |
C. Herman-Wurmfield |
Fox |
Reviewed in this issue. |
COMEDY |
|
 |
Klute |
1971 |
Alan J. Pakula |
Warner |
RSB, Issue 42 |
NOIR |
A suspense thriller of a decidedly non-Hitchcockian
variety about a prostitute, a detective, and a serial killer. |
 |
The
Ladykillers |
1955 |
Alexander Mackendrick |
Anchor Bay |
Reviewed in this issue. |
COMEDY |
|
 |
Lantana |
2001 |
Ray Lawrence |
Trimark |
JV, Issue 44 |
MYST/DRAMA |
Well-acted Australian mystery story that is
also a sad lesson about love, loss, luck, and forgiveness. |
 |
The
Last Waltz |
1978 |
Martin Scorcese |
MGM |
SV, Issue 44 |
DOC/MUSICAL |
No rock-concert movie has ever looked as beautiful or come as
close to capturing the energy of live performance. |
 |
The
Lavender Hill Mob |
1951 |
Charles Crichton |
Anchor Bay |
Review to come. |
COMEDY |
Great Alec Guinness comedy about a bank clerk
who plans to rob his own bank. |
 |
Less
Than Zero |
1987 |
Marek Kanievska |
Fox |
HP, Issue 43 |
DRAMA |
Two friends try to keep another friend from sinking into drug
addiction in 80s L.A. |
 |
L.I.E. |
2001 |
Michael Cuesta |
New Yorker |
HP, Issue 44 |
DRAMA |
Starts like it is going to be about the seduction
of a young boy by a sexual predator but ends up being more about friendship than
sex. |
 |
The
Lord of the Rings: The Fellowship of the Ring |
2001 |
Peter Jackson |
New Line |
JV, Issue 45 |
FANTASY |
Three hours of sheer delight for the grey-beard-pointy-hat-carries-a-staff
crowd. |
 |
Love
in the Afternoon |
1957 |
Billy Wilder |
Warner |
WG, Issue 42 |
COMEDY |
A romantic comedy that works only because its
stars, Gary Cooper and Audrey Hepburn, are, well, Cooper and Hepburn. |
 |
Macbeth |
1971 |
Roman Polanski |
Columbia/Tristar |
JV, Issue 44 |
DRAMA |
High among the best Macbeths on film. |
 |
The
Man in the White Suit |
1951 |
Alexander Mackendrick |
Anchor Bay |
Review to come. |
COMEDY |
An Alec Guinness comedy about an inventor who
develops clothing that won't wear out-to the dismay of the garment industry. |
 |
M*A*S*H |
1970 |
Robert Altman |
Fox |
SV, Issue 42 |
COMEDY |
Altman's breakout filma counterculture classic about front-line
doctors in the Korean War. |
 |
McCabe
& Mrs. Miller |
1971 |
Robert Altman |
Warner |
RSB, Issue 44 |
DRAMA/WEST |
Beautiful post-modernist Western about an entrepreneur
who refuses to sell his business, a whorehouse, to an acquisitive railroadAltman's
best film. |
 |
* Memento:
Limited Edition |
2000 |
Christopher Nolan |
Columbia |
JV, Issue 44 |
MYST/DRAMA |
A superb remastering of Nolan's haunting mystery about wishes,
memory, and murder. |
 |
Monsoon
Wedding |
2001 |
Mira Nair |
VCI Dist. |
Reviewed in this issue. |
COMEDY |
|
 |
* Monsters,
Inc. |
2001 |
Peter Doctor |
Disney |
Review to come. |
COMEDY |
Good Disney fantasy about adorable monsters. |
 |
Monty
Python and the Holy Grail |
1975 |
Terry Gilliam, Terry Jones |
Columbia/Tristar |
RSB, Issue 42 |
COMEDY |
Python takeoff on the knights-in-shining-armor
epicoften-side splitting comedy. |
 |
Mulholland
Drive |
2001 |
David Lynch |
Universal |
JV, Issue 42 |
DRAMA |
The first masterpiece of the new decade-Lynch turns Hollywood
dreams and realities into the stuff we are made of. |
 |
My
Favorite Year |
1982 |
Richard Benjamin |
Warner |
MS, Issue 45 |
COMEDY |
Peter O'Toole makes pratfalls and toilet jokes
into gags fit for a throne. |
 |
Near
Dark |
1987 |
Kathryn Bigelow |
Anchor Bay |
Reviewed in this issue. |
HORROR |
|
 |
One
Flew Over the Cuckoo's Nest |
1975 |
Milos Forman |
Warner |
Review to come. |
DRAMA |
Moving if toopat parable about individualism,
set in an Oregon mental hospital-perhaps the movie most expressive of its tumultuous
era, with a great performance by Jack Nicholson. |
 |
Ossessione |
1943 |
Luchino Visconti |
Image |
Review to come. |
DRAMA/NOIR |
Influential neo-realist adaptation of The Postman Always Rings
Twice. |
 |
The
Others |
2001 |
Alejandro Amenábar |
Dimension |
SV, Issue 44 |
HORROR |
Ingenious little ghost story set on an island
off the English coast just after World War II. |
 |
* Panic
Room: Superbit Deluxe |
2002 |
David Fincher |
Columbia |
Reviewed in this issue. |
THRILLER |
|
 |
The
Producers |
1968 |
Mel Brooks |
MGM |
Review to come. |
COMEDY |
Hilarious farce about a producer and an ccountant
who produce a B'way bomb. |
 |
Pulp
Fiction: Miramax Collector's Edition |
1994 |
Quentin Tarantino |
Miramax |
JV, Issue 45 |
NOIR |
The most wildly entertaining Hollywood movie of the 1990sa
phantasmagoria of pulp crime fiction, pop music, and pop culture. |
 |
Rashomon |
1950 |
Akira Kurosawa |
Criterion |
JV, Issue 43 |
DRAMA |
The film that first made Kurosawa's international
reputation-a parable about the relativity of truth and the vanity of truth-tellers. |
 |
Red
Beard |
1965 |
Akira Kurosawa |
Criterion |
SV, Issue 45 |
DRAMA |
The least known of Kurosawa's masterpieces, a three-hour coming-of-age
story that suggests a great 19th-century novel. |
 |
Reservoir
Dogs |
1992 |
Quentin Tarantino |
Artisan |
Review to come. |
NOIR |
Black comic and tragic complications ensue
when a jewelry story robbery goes bada violent, funny, shocking debut film. |
 |
The
Return Of A Man Called Horse |
1976 |
Irvin Kirshner |
MGM |
SV, Issue 43 |
WESTERN |
A Western that is one of the neglected glories of its era. |
 |
Rocco
and His Brothers |
1960 |
Luchino Visconti |
Criterion |
Review to come. |
DRAMA |
Famous Italian neo-realist melodrama about
the dissolution of a rural family that moves to Milan to find work. |
 |
The
Rocking Horse Winner |
1950 |
Anthony Pelissier |
Image |
Review to come. |
HORROR |
Classic British horror film taken from the famous D. H. Lawrence
story about a boy who tries to win the love of his cold, extravagant mother by
picking winners at the racetrack. |
 |
Romeo
is Bleeding |
1991 |
Peter Medak |
MGM |
HP, Issue 43 |
NOIR |
A pop art trash masterpiece about a villainous
Russian hitwoman. |
 |
Saturday
Night Fever |
1977 |
John Badham |
Paramount |
Reviewed in this issue. |
DRAMA |
|
 |
Say
Anything |
1989 |
Cameron Crowe |
Fox |
SV, Issue 43 |
COMEDY |
Genuinely charming teenage romantic comedystill
Cameron Crowe's best movie. |
 |
Sexy
Beast |
2002 |
Jonathan Glazer |
Fox |
JV, Issue 43 |
NOIR |
Ben Kingsley as an unforgettably bad apple in a hip British caper
flick. |
 |
* The
Sheltering Sky |
1990 |
Bernardo Bertolluci |
Warner |
Reviewed in this issue. |
DRAMA |
|
 |
She
Wore a Yellow Ribbon |
1949 |
John Ford |
Warner |
MS, Issue 44 |
WESTERN |
John Ford and John Wayne reach a new easy eloquence in the second
of Ford's famous "cavalry trilogy." |
 |
The
Shop on Main Street |
1965 |
Ján Kadár, Elmar Klos |
Criterion |
WG, Issue 43 |
DRAMA |
A tragic collision of lives and cultures in
World War II Poland-tough, memorable stuff. |
 |
* Singin'
in the Rain |
1951 |
Stanley Donan, Gene Kelly |
Warner |
Reviewed in this issue |
MUS/COM |
|
 |
Slap
Shot |
1977 |
George Roy Hill |
Universal |
JV, Issue 43 |
COMEDY |
One of the best (and certainly the funniest)
American films about the far side of the sporting life. |
 |
The
Son's Room |
2001 |
Nanni Moretti |
Miramax |
Reviewed in this issue. |
DRAMA |
|
 |
Sous le sable
(Under The Sand) |
2000 |
Francois Ozon |
Fox Lorber |
KV, Issue 44 |
DRAMA/MYST |
Haunting French drama about the way our lives
are carried forward after abandonment. |
 |
Star
Trek II: The Wrath of Khan |
1982 |
Nicholas Meyer |
Paramount |
DM, Issue 45 |
SCI-FI |
Widely considered the best of all the ST movies. |
 |
Stormy
Monday |
1988 |
Mike Figgis |
MGM |
Reviewed in this issue. |
DRAMA/NOIR |
|
 |
Storytelling |
2001 |
Todd Solondz |
New Line |
Review to come. |
COM/DRAMA |
An acquired taste that leaves a bad taste, director Todd Solondz's
latest poison pen letter to the middle classes is just as bleak, black, and hilarious
as his last one, Happiness.
|
 |
Strictly
Ballroom |
1992 |
Baz Luhrmann |
Miramax |
HP, Issue 43 |
MUS/COM |
Romantic's wet dream of a film about neophyte
ballroom dancers. |
 |
The
Stunt Man |
1980 |
Richard Rush |
Anchor Bay |
HP, Issue 41 |
COMEDY |
A joyous rollercoaster ride about a Job-like stunt man trying
to please a capricious God-like director. |
 |
Tell
Me Something |
2000 |
Yoon-Hyun Chang |
Kino |
RSB, Issue 44 |
HORROR |
In both its narrative and its frequent dark
and rainy scenes it recalls Se7en. |
 |
La
Terra trema |
1949 |
Luchino Visconti |
Image |
Review to come. |
DRAMA |
A spare powerful neorealist masterwork about a fisherman trying
to go his own way in post-War Italy. |
 |
The
Thin Man |
1934 |
W. S. Van Dyke |
Warner |
Reviewed in this issue. |
MYSTERY |
|
 |
Three
Brothers |
1981 |
Francesco Rosi |
Facets Video |
FK, Issue 45 |
DRAMA |
A moving film about Italian society in the turbulent 70s. |
 |
Tokyo
Olympiad |
1965 |
Kon Ichikawa |
Criterion |
MS, Issue 45 |
DOCUMENTARY |
Matches the sensuality of Leni Riefenstahl's
Olympia, then tops it with a rich and fervent humanism. |
 |
Twin
Peaks: Fire Walk With Me |
1992 |
David Lynch |
New Line |
Review to come. |
NOIR |
Laura Palmer's eerie, heartbreaking last few days are traced
in this prequel to Twin Peaks. |
 |
Twin
Peaks: The First Season |
1990 |
Various |
Artisan |
RSB, Issue 42 |
NOIR |
The Lynchian soap opera that, briefly, woke
up mainstream TV and mainstream America. |
 |
Under
the Roofs of Paris |
1930 |
René Clair |
Criterion |
Reviewed in this issue. |
DRAMA |
|
 |
* Unfaithful |
2002 |
Adrian Lyne |
Fox |
Reviewed in this issue. |
DRAMA |
|
 |
* Unforgiven:
Special Edition |
1992 |
Clint Eastwood |
Warner |
JV, Issue 45 |
DRAMA/WEST |
A Calvinist WesternEastwood's best film as an actor and
director. |
 |
Used
Cars |
1980 |
Robert Zemeckis |
Columbia |
JV, Issue 42 |
COMEDY |
Hip, raw, raucous farce about a desperate trio
of used car salesmen. |
 |
The
Usual Suspects: Special Edition |
1995 |
Bryan Singer |
MGM |
RSB, Issue 43 |
NOIR |
Crime drama that does everything it can to sidetrack the viewer
from guessing who its maleficent criminal genius is. |
 |
Va
Savoir |
2001 |
Jacques Rivette |
Columbia |
SV, Issue 43 |
COMEDY |
A theater-life story that is a grand blend
of leisurely theatricality and jack-in-the-box playfulness. |
 |
What
Time Is It There? |
2001 |
Tsai Ming-Liang |
Wellspring |
Review to come. |
DRAMA |
Hypnotic and effortlessly lovely picture about a young man who,
troubled by the recent death of his father, seeks refuge in the memory of a woman
whom he's met only once. |
 |
Wild
Strawberries |
1957 |
Ingmar Bergman |
Criterion |
JV, Issue 42 |
DRAMA |
Bergman's version of A Christmas Carolwidely
considered a masterpiece. |
 |
With
a Friend Like Harry |
2001 |
Dominik Hill |
Disney |
JV, Issue 42 |
NOIR |
Droll French noir that carries the premise of Strangers on a
Train a step or two beyond where Hitchcock left it. |
 |
Wolfen |
1981 |
Michael Wadleigh |
Warner |
HP, Issue 45 |
HORROR |
One of the few great horror films of the past
quarter century. |
 |
The
Young Girls of Rochefort |
1968 |
Jacques Demy |
Miramax |
Review to come. |
MUSICAL |
Candy-colored musical about twin sisters in Paris, played by
Catherine Deneuve and her real-life sister Françoise Dorléaceven
at its goofiest, a pure pleasure to look at. |
 |
Y
Tu Mamá, También |
2001 |
Alfonso Cuarón |
MGM |
KV, Issue 45 |
DRAMA |
Sexy funny/sad Mexican film about
two teenagers whose dreams come true when they take a road trip with a gorgeous
married woman. |
 |
Z |
1968 |
Costa-Gavras |
Wellspring |
FK, Issue 45 |
THRILLER |
A savage thriller about the junta which snuffed out democracy
in Greece. |