Frank Van Alstine keeps refining his designs. His newest $2500 FET Valve DAC uses a hybrid no-feedback design and can handle up to 192/24 sources via its co-axial and TosLink inputs and 96/24 via USB. Although it has a fixed-level output, the output gain can be adjusted to any reasonable level at the factory.
Switzerland was well represented at RMAF by the $26,500 Orpheus Privilege D-A Converter Mk II. Its case is made from a solid billet of carved aluminum. Inside there’s a 384/24-bit processor with provisions for S/PDIF, AES/EBU, and TosLink at 192/24. USB input currently only supports 96/24.
In the Daedalus Audio room on the 10th floor the $4995 Abbington Music Research DP-777, $10,995 Abbington Research CD-77 CD player, and Bolder Cable–modified Logitech Touch made a very positive impression. With the $14,700 Daedalus Ulysses speakers, the system played at concert hall levels with no signs of strain even in a large room.
Although they sound European, Bricasti hails from Medford, MA. Its M1 dual-mono DAC ($7995) supports 192/24 through all its inputs. A true dual-mono design, each channel is completely isolated, including the power supply.
Music Hall, longtime leader in affordable audio, presented its $299 DAC 15.2. With three inputs including USB, it supports 192/24 through S/PDIF and 96/24 through USB. The 15.2 uses a Burr-Brown PCM 1796 DAC, delivers 110dB signal-to-noise, and weighs less than 2 pounds.
Teac also unveiled three affordable digital products. Its UD-H01 DAC ($549) uses a Burr-Brown PCM 1795 and supports 192/24 via USB. The DS-H01 docking station ($399) can be used as a stand-alone DAC or as a source for the UD-HO1. Finally the A-H01 stereo amp with digital converter ($649) also supports 192/24 via USB and even has a subwoofer output.

Rounding out an affordable DAC trifecta, Audioengine debuted its $599 D2 wireless 96/24 DAC and USB converter, which can be connected via a wireless sender or with USB or TosLink. If you are on a tighter budget, for $169 you can get Audioengine’s D1, which boasts 110dB S/N using the AK 4396 DAC chip.
EMM Labs may never make budget products, but the first product in the more affordable Meitner line, the $7000 MA-1 DAC is designed for value. Based on EMM Lab’s XDS1 DA, it delivers 192/24 capabilities from all inputs, including USB using Meitner’s proprietary MDAT DSP, MFAST data extraction, and discrete 5.6MHz (2x DSD) DACs.
Moving upmarket, Peachtree Audio unveiled a $4295 integrated and $2999 preamp. Both are part of their new Grand series of products and feature 32-bit ESS Sabre DACs, USB 2.0 compatibility, and tubes in their preamp stages. Driving the new $22,900 Sonus Faber Elipsa special edition speakers the Grand integrated sounded superb on my high-resolution files.

Naim continues to expand its network players with two new devices. The $3495 ND5 XS features wired or wireless UPnP streaming along with both Internet and AM/FM radio (with the FM/DAB module). The SuperUniti all-in-one player includes an 80Wpc amplifier plus complete UPnP interoperability.
Laufer Teknik The Memory Player 64 (up to $25,000, depending on options) can be configured a variety of ways. It upsamples to 32 bits and offers the option of a direct-to-DAC signal path that completely bypasses all unwanted output circuitry.
Salk, which is better known for its fine speakers, has moved into electronics with its StreamPlayer. Priced at $1299, the player supports up to 192/24 files via all inputs. Designed to be a minimalist music player, its entire operating system and applications are all on a single 4GB flash card.
NAD rolled out a virtual armada of new digital products beginning with the $2500 M50 digital music player. NAD also added the $2000 M51 direct digital DAC and the $2000 M52 music vault to its Master Series lineup. The $300 DAC1, a point-to-point wireless USB DAC, and the $2600 C390DD join NAD’s C Series components. The C390DD incorporates many of the innovations from NAD’s M2 digital integrated amplifier, including its all-digital signal chain, at a much lower price than the original.
Comments
Hello Steven,
To bad we missed eachother, we had the world premier of our new Multi Format Player at RMAF
Cheers
-Peder Beckman-
Electrocompaniet Inc.
I was in your room. And I'm sure I asked about new digital products...
Steven Stone
Contributor to The Absolute Sound, EnjoytheMusic.com, Vintage Guitar Magazine, and other fine publications
Also, this report, like any show report, written within 24 hours of the close of the show, is not going to include everything I saw and heard. The space requirement of the print version precludes this.
Steven Stone
Contributor to The Absolute Sound, EnjoytheMusic.com, Vintage Guitar Magazine, and other fine publications
Hmmmm, perhaps I should have s/w you about writing that player up Peder!!!!
Michael Mercer
The Daily Swarm
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GREAT report as always Steven! You really have to hear and see (if you didn't catch it) Josh Heinser's Sonicweld Diverter (USB to SPDIF) as it's NO ordinary USB-SPDIF - it's a true work of art, both physically and sonically - I believe Josh is on the bleeding egde, and his craftmanship is second to none!! Was great seeing you too, even though it was brief!! My wife says you were very nice - thanX buddy...
Michael Mercer
The Daily Swarm
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Steven Stone:
When you, Robert Harley and others from other publications began writing about "the coming age of computer audio," it struck me as being the ideal evolution in audio for me. Having been involved in the audio hobby since 1950 (I'm 75 now), and having continually upgraded to maintain a top rank system, I am at that point in my life where I especially enjoy private headphone listening.
I sold some of my Burmester equipment and purchased the Weiss DAC 202 and WOO Audio WES Head Phones amplifier and appropriate cables. My Stax phones are the SR 009 and 007.
At the recent RMAF I joined a few sophisticated hobbysts with two engineers/designers of DAC and the like, over a snack and soda discussing the Aurender S-10. An exhibitor was touting that this device would remove the computer (MAC) from the audio chain because the computer contributes audible levels of RTF, interference and noise to the signal.
If I understood the experts correctly, it was their view that in a system where the downloaded FLAC files are stored on an external HDD, then fed to the MAC Book Pro having an SSD (as in the demo/exhibit), then fed into the DAC 202, and then to the WES: the MAC is not processing the audio stream acting merely as a pass-thru, actually operating iTunes as the directory. If that understanding is correct, the negative contribution of the MAC would be inaudible at best. I should add that I assume that all power lines carrying noise was addressed and likewise the best cables were in use.
If you have not had any experience with the Aurender S-10, I would like you to keep this question in mind when you do get to that audition.
ADR
With files on a NAS any rendering device that is network aware has access to the files. Personally I see no more use for FLAC than ALS - why use ANY form of compression? I just keep files in native uncompressed - WAV or AIFF.
As for "bypassing the computer" - Most systems use the computer as a server which passes or streams along files to the renderer, such as the Weiss DAC or a Logitech Squeezebox.
Steven Stone
Contributor to The Absolute Sound, EnjoytheMusic.com, Vintage Guitar Magazine, and other fine publications
Steve,
If the computer is used "as a server which passes or streams along files to the renderer," would I be correct to assume that, except in the worst case situation, the computer (MacBook Pro) contributes little if any audible noise or distortion?
Art
ADR
Perhaps, Art...
Jitter is the issue. Anything that effects timing is jitter and there are many points in the digital audio chain where timing errors can occur. The source is one, the renderer is another.
Steven Stone
Contributor to The Absolute Sound, EnjoytheMusic.com, Vintage Guitar Magazine, and other fine publications
Steve,
In running the Weiss DAC 202 "Transparency Test," if my system "passed" the test, would that be a confirmation of low jitter?
I am anxious to read your review of the Aurender S-10 which has been represented to me as the "wonderkind" which will make my simple headphones only system even better. Franly, I am very skeptical. My limited headphones system: Burmester 948 Power conditioner, Weiss DAC 202, Stax SR 009 and 007 MK2, WOO Audio WES with upgraded internals and tubes, and MAC Book Pro with SSD, 8mb memory plus two external 2TB HDD for storage and backup.... and, rarely used, Burmester 001 CD player and preamp.
Frankly, my system as it presently stands is unbelievably "live" and convincing. I "feel the presence" of the performers. Can it be audibly better?
ADR
Hello across,
The transparency test makes sure that the files are "bit-perfect,"but does nothing to insure or guarantee low jitter.
I haven't reviewed the Aurrender S-10, or even heard of it.
Your system sounds as if it would be hard to better, but we audiophiles HAVE to try....
Steven Stone
Contributor to The Absolute Sound, EnjoytheMusic.com, Vintage Guitar Magazine, and other fine publications
Steve, Yes we audiophiles DO have to try. But I have gone that route so many times with "top-of-the-line stuff" that a few years ago I sold much of my "treasure" to some Japanese friends to focus only on headphone listening. I think that at this moment in time I am at "Mt. Olympus!" At least I think so! If you are ever near Westport, CT, call and stop by. I'll even offer dinner when we are through!
ADR
Steven Stone -- Wed, 10/26/2011 - 07:39
With files on a NAS any rendering device that is network aware has access to the files. Personally I see no more use for FLAC than ALS - why use ANY form of compression? I just keep files in native uncompressed - WAV or AIFF.
==
Sound quality apart the WHOLE THING about computer audio is the improved access to one's library -- via meta data, which for most of us means FLAC and a superior GUI to iTunes such as Songbird.
I also don't bother with any compression. Aiff and Wav files are all I use.
As for superior GUIs, I'm still waiting...for open and more complete meta-data...
Steven Stone
Contributor to The Absolute Sound, EnjoytheMusic.com, Vintage Guitar Magazine, and other fine publications
Waiting for something else as good as Sooloos -- aren't we all.
I'm ecumenical or is that eclectic and run both religions -- PC for enhanced library browsing, MAC for ultimate fidelity.
'iTunes (and Pure Music) don't play FLAC files.' Steven in TAS while recommending PM. A stop-me-dead killer in the tail -- if it were true. Literally true, as PM converts FLAC files first. But THEN it plays them beautifully and without further hindrance.
I often get sound that has been (or currently is as good as the Sooloos in my home, at a fraction of the cost (though my system changes often). As an example, I found this computer audio rig more musical overall in its presentation than the Sooloos):
Macbook/iTunes + Amarra 2.3.2 into the Locus Design Nucleus USB cable (or Nordost Blue Heaven USB) into the Sonicweld USB-S/PDIF Diverter into the Weiss DAC, or, the new E.A.R DAC!! Now - this rig isn't cheap - but its not as pricey at Sooloos! NOT knockin it, its a killer system,
but the rig I described above played back recordings I produced (which is my ultimate acid test, as I was there and wrote the tracks and mixed them as well) in a far more enjoyable way, and sounded closer to the master to my ears - just IMO
Michael Mercer
The Daily Swarm
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