This is Part 4 of a four-part Playback report and new headphone, earphone, and personal audio products seen at CES 2012. This section of the report covers products from: Skullcandy, SMS Audio, Stax, Urbanears/Zounds, Velodyne, V-MODA, Waterfall, WESC, Westone, and Woo Audio.
Please check out Part 1, Part 2, and Part 3
I’ve been tracking developments at Skullcandy for some years, noting with interest (and a certain amount of bewilderment) the incredible proliferation of models and SKU’s (stock keeping units). Seriously, the last time I visited the Skullcandy web site, I found the firm offered no less than 24 (count ‘em) discrete models, with numerous color/décor variations for each. That’s an awfully broad product line to keep track of.


At CES 2012, I saw signs Skullcandy was taking first steps toward streamlining and perhaps simplifying its future offerings by rallying them around one common theme, which Skullcandy terms its “Supreme Sound” initiative. This is a good thing, since it marks a point where a major, internationally-recognized headphone/earphone manufacturer is essentially driving a stake in the ground and saying, “at the end of the day, sound quality must come first.” Refreshingly, then, Skullcandy has developed demo stations (which could presumably be made available for use in retail outlets) that attempt to show what’s wrong the inaccurate and highly-colored voicing of many headphone products, and thus to show what’s right about Skullcandy’s “Supreme Sound”-qualified products.

As specific examples of headphone and earphones designed to put sound quality first, Skullcandy is focusing specifically on the four of its twenty-four models: the Mix Master DJ-style headphones (starting at $249.99), the Aviator over-the-ear headphones (starting at $149.99), the Fix earphones ($69.99), and the entry-level Hesh over-the-ear headphones (starting at $49.99), which one Skullcandy spokesperson described as, “…the best $50 headphone you’re ever likely to hear.”

50Cent is not just a contemporary artist; he’s a global brand complete with essential merchandize including clothing, personal accessories, and—you guessed it—his own line of headphones produced by SMS Audio (indeed, the URL for SMS Audio is smsby50.com).

The are actually three different SMS by 50 models: the Street by 50 earphone ($129.95), the Street by 50 passive, over-the-ear headphone ($299.95), and the Sync by 50 wireless, over-the-ear headphone ($399.95). The Street by 50 over-the-ear headphones are nicely finished, features 40mm drivers, and is said to offer “professional studio sound” with “enhanced bass.” The Sync by 50 wireless model provides “16-bit lossless digital sound,” uses “custom 40mm drivers,”
incorporates “professionally tuned digital EQ,” and provides onboard controls for volume levels, muting, and bass boost. The Sync has a range of about 50 feet, and is designed so that up to four Sync headphones can be, well, synced to a single source component.

In what can often feel like a selfish “every man for himself” world, I’m pleased to report that SMS Audio is a supporter of the Feed America program where the official offer is as follows: “For each domestic purchase of a headphone at smsaudio.com, SMS Audio will donate 250 meals to Feeding America."
Comments
Thanks for the excellent coverage. I attended the show as well, and was particularly impressed with the Woo Audio WA22, coupled with the Sennheiser HD800 headphone. The amp lent an incredible sense of warmth, dimension and instrument placement to the music, and gently sanded the edge right off the Sennheiser's normally strident treble (the first time I have listened to these headphones without wincing). This combination was one of the very best sounds at the show for me. I was also impressed by the HiFiMan HE-500 - this headphone easily bested the LCD-2 (great tonality in the mids and bass, and imparted a wonderful body to instruments, but man, what a hot & overemphasized treble) and LCD-3 (the polar opposite of the LCD-2 - a bit too warm and muted in comparison). After all the favorable reviews, I was expecting the LCD-2 to be my selection, but the HE-500s were such a nice surprise - they had a wonderful well-balanced sound, and remarkably realistic, particularly with electric guitar. It was immediately clear these could be enjoyed for hours on end.